First Look: Microsoft's Sound-Alike Radio Stations
September 13, 2004
By Ross on Radio: Sean Ross, VP of Music & Programming, Edison Media Research
Its not like terrestrial broadcasters had nobody to compete with already. On top of an increasing number of stations in their own already fractionalized markets, there was first Music Choice on cable TV, then Internet radio, then Internet radios addition of already familiar brands, such as VH1 Radio or Radio @ AOL, then satellite radio, then the iPod. By the time the last two showed up, broadcasters were a little less inclined to focus on Internet radio, particularly when satellite radio had gotten so much the consumer press adulation and the iPod had won the hearts even of broadcasters themselves.
But early this month, Internet radio reclaimed terrestrial broadcasters attention when Microsofts new MSN Music service unveiled 900 new radio stations that were billed as sounding like specific local stations, but with fewer ads, no DJ chatter, and less repetition. Using computer generated playlists, based on monitored airplay data, a typical listing for New York City offered listeners a station like 100.3 FM, WHTZ, Z100 Todays Best Music, Top artists: Kevin Lyttle, Avril Lavigne, Ashlee Simpson.
MSN, like most music portals, was already offering music channels, but until recently, most major Internet stations were based on the assumption that listeners wanted an experience that was entirely unlike mainstream radio with broader variety and longer playlists. Internet radio, in short, was for people who didnt want to hear the hits.
Quiet as its kept, satellite radio has already softened that aesthetic a little bit. Yes, there are still channels specializing in music not usually heard on commercial radio. But XM and Sirius also offer mainstream formats that look fairly, well, mainstream. Check out the playlists for their Top 40 formats this week and youll see music thats slightly more conservative than the average large-market Top 40. And while youre still likely to hear satellite radio play oldies that dont typically test well, youre less likely these days to encounter gold that youve never heard of, at least on its mainstream formats.
Then again, many of us had wondered from the beginning if what listeners wanted from their alternate media was to hear the hits, just presented differently. Maybe the magic bullet isnt endless variety, but established hit music without 14 minutes of spots each hour. One terrestrial station, WRDW (Wired 96.5) Philadelphia, tries a similar sell?telling listeners they can hear the same station commercial-free on the Web.
So having decided not to cede the hits to mainstream radio, how good a job does MSN Radios software do of mocking up your radio stations music mix? Lets go to the monitors of both Top 40 WHTZ (Z100) New York and its MSN sound-alike station on Sunday afternoon, Sept. 12.
WHTZ (Z100) New York, 1:30-2:10 p.m., September 12, 2004
Akon, Locked Up
MSNs Like 100.3, New York, 2:15-3:30 p.m., September 12, 2004
Christina Milian, Dip It Low
At first, MSNs faux-Z100 sounded like any generic national Top 40, and sounded a lot more recurrent and less Urban-flavored than the real-Z100. Then it played some of the records that give Z100 its unique DNA (the Deborah Cox and Akon songs). Then it put two of the same songs together that Z100 had segued a half-hour earlier (albeit in the reverse order). And listening to a number of other MSN sound-alike stations that afternoon, I certainly heard songs that I associated with their respective role model stations (e.g., K-Ci & Jojos Crazy on their WIOQ [Q102] Philadelphia soundalike).
As for that less repetition claim, though, there were three songs that repeated about 35-40 minutes from each other. Thats the sort of repetition Top 40 listeners think they hear, but its not what youd actually encounter, even on a station like Z100 that repeats its powers 85 times a week. And none of those three songs is actually a power on Z100. The No Doubt and Vanessa Carlton records, in fact, were both averaging two daily spins.
The MSN computer is also missing the artist separation rules that most stations would impose. CKNG (92.5 Joe FM) Edmonton, Alberta, may be known for its variety, but its MSN clone played both two Maroon 5 hits and two Amanda Marshall songs about 30 minutes apart from each other. The size of the Microsoft library is reportedly limited by the amount of music licensed for its use and that seems to be an issue, at least for now.
There were other musical quirks. I heard the Carlton record, not yet a national consensus hit, several times during the course of my afternoon listening. I also came across New Radicals You Get What You Give twice within a few minutes on consecutive Hot ACs, not something that would necessarily happen on regular radio. I also heard the sound-alike for Hot AC KSTZ (Star 102.5) Des Moines, Iowa, play one of the stations signature songs (Ben Harpers Steal My Kisses) next to an equally left-field one that KSTZ, at least according to its monitored playlist, didnt play this week (DNA & Suzanne Vegas Toms Diner).
Presentationally, the sound-alike stations may as well have been the Internet radio stations of 5-6 years ago. The only between-the-records elements were occasional brief ads for MSNs premium radio and streaming video services. Records were played in their entirety and faded out?usually long (but not unbleeped) versions that you wouldnt actually hear on most radio stations.
Musically, however, while the sound-alike Z100 wouldnt fool PD Tom Poleman or MD Paul Cubby Bryant, it might have fooled a non-industry listener. The subtleties, of course, are of the sort that most of them wouldnt notice. And there are mainstream commercial broadcasters who would be perfectly happy to put on a station that mocks-up a rival. Those stations dont usually win, but the object is usually just to create a two-share annoyance anyway.
There are certainly scenarios where the combination of a sound-alike and a marketing engine of MSNs magnitude could be scary. A well-liked station with signal problems could be vulnerable (and should start thinking of ways of streaming its own audio if it doesnt already). A listener who moves across the country might settle for a station that sounds like their old favorite, particularly if the new one doesnt stream, rather than checking out whats available in their new town. And while being the station that isnt playing Christmas music hasnt turned out to be such an advantage for terrestrial stations, listeners could now have the option of their P1 station in two flavors?regular and all-Christmas. And iN3 Partners Robert Unmacht is absolutely right when he points out that MSN is correct in staking out its place in any forthcoming wireless broadband radio era.
For the handful of Canadian stations represented here, the MSN sound-alikes have the potential to do something even more troubling: mock-up their stations without following Canadian regulations. The two Canadian Hot AC sound-alikes I listened to played 27% and 31% Canadian content respectively, not so different from the 35% that most terrestrial stations are legally mandated to play. But then I checked out the MSN version of CIDC (Z103.5) Toronto and heard only one Canadian song out of 20?and that was Avril Lavignes My Happy Ending.
While its interesting to see an Internet broadcaster now trying to replicate mainstream radio, rather than entirely demonizing it, one opportunity remains untapped. For the most part, new media has made little of its unique ability to create a shared national listening experience. Children of the ?70s dont have to be from Chicago to have grown up with John Landecker on 50,000 watt WLS. But if youre looking for a national bond now, its among listeners of terrestrial broadcasters Howard Stern, Tom Joyner, or Rush Limbaugh. Only now, with the hiring of established personalities such as Opie & Anthony or Bob Edwards are the satellite networks moving into that arena.
Then again, a lot of local stations arent taking full advantage of being local. The obvious answer to whether broadcasters should be worried about a jockless Internet clone of their music is shame on us if that does work. Broadcasters have spent the last decade focused on what comes between the records, or so they believe. MSNs Z100 sound-alike station hasnt recently given away Nellys pimped-out Chrysler 300. It isnt playing the Z100 $100,000 Match Game. Listening to MSNs sound-alike is not like listening to Z100. (The same likely goes for KROQ Los Angeles.) But out of 900 stations that MSN seeks to clone, can all of them claim to be more than just a handful of records?
Sean Ross is Edison Media Researchs VP of Music & Programming and the former editor-in-chief of Airplay Monitor, Billboard Magazines radio programming publication. The opinions expressed here are his own and can be found on the edisonresearch.com Web site every week. Sean can be reached at 908.707.4707 or SRoss@edisonresearch.com.